When Tony Gilroy began his Andor journey, his original pitch was deemed “pretty mad and undoable” by Lucasfilm head Kathleen Kennedy. In a new interview with The Hollywood Reporter, the showrunner revealed how that initial take would later get revisited after Lucasfilm gave it some thought.
“They came back to me and said, ‘We looked at this memo from a year and a half ago, and it makes a lot more sense to us now,’” he recalled. That, of course, led to a series expanding on the very foundation that Star Wars creator George Lucas had in mind when he began the beloved saga: Space Nazis are bad, and the rebellion is coming.
Around the time award nominations were announced for the show’s critically acclaimed second season, real-world headlines eerily mirrored events seen in Andor. In particular, a scene in the Emmy-nominated episode “Welcome to the Rebellion,” which depicts a Ghorman senator being carted off by stormtroopers as he says, “My people today and yours tomorrow; remember Ghorman!” struck a very timely nerve.
It’s a devastating series of events that’s not lost on Gilroy. “When I started on the show, the parallels between what was happening in the world and what was happening in the galaxy and the Empire—those were already obvious.” He explained that his inspiration came from a love of history and using that to embed the seeds of how totalitarianism has taken root in Star Wars.
“But over the six years we’ve been doing the show, that little monster got on its feet and learned how to run,” he said. “When [U.S. Senator for California Alex Padilla] was pulled out of the ICE meeting, like in the episode about the Ghorman senator being pulled out, there was a big text chain in our group like, ‘Oh my God. It looked like the show.’ It’s very sad for us how much it rhymes.”
While we continue to live in unprecedented times, the filmmaker notes that Andor feels like something he can’t see himself doing again. It’s disappointing, but as the state of the entertainment industry continues to evolve, it makes sense.
“For five and a half years, every single day of my life, I had a maximally imaginative involvement that was never complete—writing, designing, music, casting, all of it,” Gilroy said of the pandemic-era-born production. “Every demand on your imagination that could ever be asked was screaming for your attention. That’s a pretty heady place to live. I grew to love it. But I can’t imagine that I would ever be that fully engaged again,” he concluded, but we hold out hope the vast galaxy makes space for his return; we need these stories now more than ever.
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